This talented pianist started a quartet with Theodore Frye in the '30s. This aggregation gradually evolved into The Roberta Martin Singers by the '50s. It is now known that she copied the piano style of blind pianist Arizona Dranes, who also influenced The Ward Singers. Martin's singers sang loudly and dramatically. She also wasn't concerned about a harmonious sound; when one member of the group was leading a song, whether male or female, you could easily identify the backing voices. This lack of synchronicity made the group's urgent sound a unique and welcome change amid the repetitive quartets of the time. Robert Anderson was one of Martin's principal singers. She herself was referred to as The Helen Hayes of the Gospel World.
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